Steve Cradock and Simon Fowler came to my Bank Cottage Studio around 2009 to record and polish up demos for their Saturday album. I added a bit of cello and that was retained in the final album version. They returned to record an extra track Dawn Cried The Day for the 21: The Boxset collection. Popping down the pub while I mixed it, Simon proclaimed it to be “the best recording we’ve ever done”!
Ocean Colour Scene
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Rhythms del Mundo
Credits / CV, Mixing
This project was the brainchild of my near neighbour the lovely late Kenny Young, co-writer of Under The Boardwalk,...
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DJ Billy Millings: Mastering fantastic House and Techno tracks by the prolific London DJ/Producer/Remixer
Credits / CV, Latest Work, Mastering
DJ Billy Millings Billy has been expertly DJ-ing for many years, with radio shows, club appearances, alongside creating his...
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Recording and Mixing sessions with Texas at RAK and Olympic Studios
Credits / CV, Mixing, Recording
Although I was busy carving a path as a producer in 1990, I couldn’t turn down the opportunity to...
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Amoeba Teen – Mastering their new album
Credits / CV, Latest Work, Mastering
Amoeba Teen Mark Britton from the band Amoeba Teen got in touch back in August 2021 to enquire about...
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Teenage Fanclub
Credits / CV, Mixing, Recording
After the success of Grand Prix, Teenage Fanclub set about the follow up with the same producer David Bianco....
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Cello arranging and recording for the terrific Dotts O’Connor
Cello / Strings, Latest Work
Dotts O’Connor Based in Cavan, Ireland, Dotts O’Connor (Daithi to his friends) got in touch at the beginning of...
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Appleton
Credits / CV, Recording
I recorded vocals for All Grown Up with Nicole and Natalie Appleton at writer/producer Mike Rowe’s small room at...
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Mixing and Mastering among the WLDFLWRS
Credits / CV, Latest Work, Mastering, Mixing
WLDFLWRS The irrepressable Jono Wright approached me to mix another project of his, the WLDFLWRS. The clue is in...